Ali Fazal's 'Raakh' Lands on Prime Video, Reopening the 1978 Ranga-Billa Wounds
Prosit Roy's eight-part crime drama, starring Ali Fazal and Sonali Bendre, dropped on Amazon Prime Video on June 12 and is drawing comparisons to 'Paatal Lok'.
The NE Times Entertainment Desk
Commentary & Analysis ·

Amazon Prime Video's latest Hindi original, 'Raakh', began streaming on June 12, pulling viewers back into one of independent India's most disturbing crimes. The series fictionalises the 1978 Ranga-Billa case, in which the abduction of two teenagers in Delhi triggered a nationwide investigation and a wrenching public reckoning over child safety. By revisiting a case seared into the national memory, the show steps into the increasingly crowded but consistently popular space of Indian true-crime-inspired drama.
Ali Fazal anchors the show as a sub-inspector piecing together the disappearance, with Sonali Bendre in a key role and Aamir Bashir among the supporting cast. The eight-episode run, with each instalment clocking roughly 40 minutes, is directed by Prosit Roy alongside Anusha Nandakumar and Sandeep Saket — a structure that gives the story room to unfold methodically over a tightly contained season.
Revisiting a case that shook a nation
The Ranga-Billa case remains a touchstone in India's collective memory precisely because of how it reverberated beyond the crime itself. The abduction of two young people in the capital became a national story, prompting an extensive investigation and a broader, anxious conversation about the safety of children. Dramatising it nearly five decades later carries an inherent responsibility, and the series leans on fictionalisation to explore the human dimensions of an event many viewers will already know in outline.
That historical weight also explains the show's careful period staging. Recreating late-1970s Delhi is as much about mood as accuracy — the textures of a city and an era stand in for a moment when such crimes felt newly shocking and the institutions meant to respond were still finding their footing.
Less whodunit, more aftermath
Rather than playing as a conventional procedural, 'Raakh' leans into the emotional and psychological fallout of the crime, examining how a single act can fracture a tightly knit community. The choice to foreground aftermath over investigation distinguishes it from the standard mystery format, shifting the question from who committed the crime to how those left behind absorb and survive it.
Roy, who helmed the first season of the acclaimed 'Paatal Lok', has again been praised for his gritty, atmospheric staging — and the comparison to that series has become a recurring frame in early coverage. Reviewers have responded warmly to the combination of writing and performance.
“It is a hard-hitting and disturbing series that works largely because of its arresting screenplay and excellent performances.”
— Bollywood Hungama review
Why it matters for streaming in India
The arrival of 'Raakh' reflects a broader pattern in Indian streaming, where platforms have increasingly turned to grounded, socially resonant crime drama as a way to differentiate themselves from formula-driven fare. Anchoring a series in a real historical case lends it both recognition and gravity, while the limited-episode format allows for a denser, more cinematic approach than open-ended television.
For Ali Fazal, the lead role continues a run of work that has positioned him among the more versatile performers in the streaming space, while Sonali Bendre's involvement signals the format's growing pull for established screen names. The casting itself is part of how prestige streaming dramas now court audiences.
With the full season available from launch, the show's reception will hinge on word of mouth and the comparisons it invites to the genre's benchmarks. If it sustains the early praise for its screenplay and performances, 'Raakh' could reinforce the appetite for thoughtfully made, historically rooted Indian crime drama — and add another title to a category that has become one of streaming's most dependable draws.
The NE Times View
Indian streaming's appetite for true-crime drama, rooted in real wounds like the 1978 Ranga-Billa case, raises a question worth asking: where does dramatisation end and exploitation begin. The NE Times View: 'Paatal Lok' comparisons set a high bar, and Fazal's pedigree helps. But adapting genuine tragedy demands restraint, and the test is whether 'Raakh' interrogates the crime or merely repackages it.
This article is original commentary and analysis by The NE Times. Background facts were referenced from Esquire India and Bollywood Hungama.
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