NE Times
Entertainment

Vikrant Massey on Mirzapur's Male Egos and Set Culture

Vikrant Massey's candid remark about Mirzapur's male-dominated set sparks a wider conversation about how crew gender balance shapes storytelling in India's booming streaming industry.

The NE Times Entertainment Desk

Commentary & Analysis ·

3 min read
AI illustration of a film set with a mostly male crew gathered around a director's monitor on a dramatic crime drama production

Vikrant Massey's latest comments on Mirzapur have given one of India's most discussed streaming shows a new behind-the-scenes frame. The actor described the series environment as one that indulged male egos, while noting that the crew was overwhelmingly male — a remark reported by the Indian Express that has since reverberated across the industry.

From Screen to Set

The observation is notable because Mirzapur has long been read through its masculine grammar: power, revenge, swagger, violence and territorial ambition. Massey's comment shifts attention from the story world to the making of that world. It asks whether a male-dominated crew can unconsciously reinforce certain kinds of storytelling, especially in crime dramas where aggression is already central.

A Broader Industry Question

The question is not whether men should make stories about men. It is whether creative rooms and production floors benefit from broader perspectives. Streaming has allowed Indian shows to explore darker and more adult themes, but it has also renewed debates about gaze, violence, language and gender balance behind the camera.

Massey's comment lands at a time when audiences are more aware than ever of how a set's culture shapes what appears on screen. Viewers now discuss writers' rooms, intimacy coordination, representation and workplace dynamics with almost the same intensity they once reserved for plot twists.

The NE Times View

Commentary — Massey's reflection is a rare act of honesty from within a franchise that has celebrated its raw masculinity as a selling point. It matters not because it indicts Mirzapur, but because it opens a door. India's streaming era has been defined by bold content; the next chapter may well be defined by who gets to make it. Streaming success and self-reflection are not in opposition — in fact, as Indian web series mature, they may need to travel together.

This article is original commentary and analysis by The NE Times. Background facts were referenced from Indian Express.

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